It originally aired for four hours every weekend, but the block's start time had changed frequently. It originated as a programming block on Cartoon Network that debuted on December 8, 1992. These made up much of the extensive children's programming on TBS and TNT, which was phased out after the creation of the Cartoon Network on October 1, 1992.īoomerang was created as a new home for these and similar cartoons. Turner Broadcasting System built up an extensive catalogue of MGM and early Warner Brothers cartoons in the 1980s. In 2017, Boomerang launched a subscription video on-demand over-the-top streaming service.Īs of September 2018, Boomerang is available to approximately 38 million pay television households in the United States. In the late 2000s, Boomerang would begin to airing more modern and contemporary programming, including reruns of shows that had previously aired on Cartoon Network.Ī 2015 relaunch (which aimed to promote Boomerang as a "second flagship" brand alongside Cartoon Network) saw Boomerang begin to produce its own original programming, with a focus on reboots of franchises such as Looney Tunes and Scooby-Doo. From time to time, the channel has also broadcast reruns of Cartoon Network original series.īoomerang debuted in 1992 as a programming block on Cartoon Network, dedicated to classic animation from the WB library, and was eventually spun-off into its own separate network in 2000. Cartoons and Hanna-Barbera productions among others, as well as contemporary reboots of classic franchises. Animation library, including Warner Bros. Discovery.Ī spin-off of Cartoon Network, the channel primarily broadcasts animated programming from the Warner Bros. October 3, 2004 18 years ago ( ) (block)īoomerang from Cartoon Network (2000–2015)īoomerang is an American cable television network owned by Warner Bros. April 11, 2017 6 years ago ( ) (internet subscription service).Judging by the audience reaction after the screening, Waithe and her team accomplished just that. “I cherish it too much to let it be in the wrong hands, hands that won’t handle it with care,” said Waithe. ![]() In fact, BET has a big presence at Sundance the cast of the forthcoming American Soul was on hand for screenings of the series that takes an insider look at Soul Train. Now, Waithe is a regular presence at Sundance - and debuting her project in Utah is a major deal. Waithe first came to the festival three years ago as a producer on Justin Simien’s 2014 Dear White People. Just a few years ago, this was inconceivable at Sundance, which has evolved into a space that features and supports content that caters, in large part, to black audiences. Waithe said they might have another screening later in the festival because of the high demand. The event was so popular that there was a line down busy Main Street. ![]() The classic is an authentically black film, a culturally defining moment that helped make stars out of Halle Berry, Chris Rock (who had a bit role as a mailroom clerk) and others. ![]() “But also pay … homage and honor what the classic was.” “It’s impossible to redo classics, so why try to redo a classic? Let’s do something fresh and interesting,” said Jones. Guests included Jada Pinkett Smith and Jaden Smith, and viewers were treated to hot toddies and appetizers while a DJ spun classic ’90s rhythm and blues and hip-hop. “It’s impossible to redo classics, so why try to redo a classic? Let’s do something fresh and interesting.”Īt Sundance, Waithe and her team screened the first two episodes to a packed and swanky lounge space off of Main Street. We just wanted to bring it … make it relevant … focusing on how these millennials really get down.” So we gave these characters children ’cause we’re all the children of Marcus Graham, all the children of Angela Lewis, of Jacqueline. “Look, we can’t recreate the movie,” Waithe said in an interview with The Undefeated. What might a world might look like if characters Marcus and Angela had a daughter? And character Jacqueline Broyer had a son? Both of whom followed in their parents’ advertising executive footsteps? We’re about to find out. So, as executive producer, she pulled together a team including Ben Cory Jones and director Dime Davis to join her on this adventure. She wanted to make sure it was done right. When BET and Paramount said they wanted to pull 1992’s Boomerang out of the vault and create a series from a film that made cultural hay back then by challenging the successful Marcus Graham’s (Eddie Murphy) womanizing ways, Lena Waithe enthusiastically raised her hand.
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